PRIVATE SCHOOL (2022) - LIMITED SERIES

I independently developed and produced an award-winning limited series focused on the experience of a private Catholic school student, serving as director, producer, writer, editor, production designer, and VFX artist. Shot on the ARRI Amira, the series highlights my ability to lead a project through every stage of production, combining strong visual storytelling with technical precision and a cohesive creative vision. I handled all editing and special effects, as well as composing the original score, shaping the series’ emotional tone both visually and musically. The series was distributed on Amazon Prime Video, reaching a wide audience and earning critical recognition.

Original Soundtrack

(Rayleigh Mora Mixtape)

Here you can listen to the Original Soundtrack by me on all streaming platforms.

This is where the idea began.

Each episode was inspired by the songs I created for my first mixtape. :$

I liked the idea of someone making an album and then shooting a video for every song that tells one long story. I had a few friends who made music that I asked to do it for. They didn’t want to. They said “that’s too many videos”... So I just did it myself.

It blew up from “just my music videos” to “woah, we made something that looks more like a whole tv show. lol

“Let’s just go with that.”

5 songs + 5 episodes

20 mins each..

Use of Social Media 

To support the release, I led the marketing strategy for the series using social media as the primary platform for audience engagement. I designed and managed the promotional material, targeted campaigns across Instagram and other channels to build anticipation, share BTS content, and foster a community around the project. This grassroots digital approach significantly boosted visibility and contributed to the series’ success on Amazon Prime Video.

watch the series →

VISUAL IDENTITY

My passion for design is in every aspect of my filmmaking, from costume choices to typography. I’m driven by the pursuit of visual cohesion, ensuring that every element contributes to a unified and compelling narrative. In addition to digital promotion, I designed and produced a line of merchandise inspired by the series to deepen audience connection and extend the project’s visual identity beyond the screen.

Color Pallet

Captivating Consistency

Maintaining a cohesive visual palette across every element of the series was a top priority. For the school setting, I introduced a personal touch by making my bearded dragon the school mascot designing the official logo and drawing her into the emblem to align with the series' tone and aesthetic.

REMIXING THE PATCHWORK

Ensuring the colors and tone of the school are reflected across all promotional materials, regardless of the medium used.

OVERAL DESIGN

Blending multiple disciplines, design, film, and typography allowed me to fully stretch my creative range on this project, pushing boundaries and crafting a visual language that felt both intentional and immersive.

PHYSICAL DESIGN ELEMENTS

My passion for design is in every aspect of my filmmaking, from costume choices to typography. I’m driven by the pursuit of visual cohesion making sure that every element contributes to a unified and compelling narrative. In addition to digital promotion, I designed and produced a line of merchandise inspired by the series to deepen audience connection and extend the project’s visual identity beyond the screen.

AUDIENCE IMMERSION

My goal with this project was to create a world that feels as immersive and lived in as possible. I wanted the audience not just to watch the story, but feel like they were stepping into it. To support that vision, I designed a life like clothing line inspired by the characters and tone of the limited series an extension of the narrative that gave viewers a tactile sense of its style, energy, and atmosphere. The wardrobe wasn’t just costuming it became part of the storytelling, helping to blur the line between fiction and reality.

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KATRINA (2024)

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BIKING (SHORT FILM)